Shambletracks: Taj Mahal makes it clear that you Ain’t Gwine To Whistle Dixie.

HELLO. I’m here again. I being Paddy. Paddy being Paddy from the Podshambles.

How are you? GREAT, GOOD TO HEAR IT. I am also well – I’ve just finished doing a prerecord for Shoreditch Radio on Ella Woods’ show ‘Ella Plays What’ which has been super awesome. It was a Valentine’s Day special and I even got to choose some songs (for your information I chose Love In The Afternoon by The Martin Harley Band and No Children by The Mountain Goats – both classics). Do give it a listen on Shoreditch Radio this Friday at MIDDAY.

Anywho, I’ve chosen something a little different today. It’s an eight-and-a-half minute instrumental (I know, right?) in the form of Ain’t Gwine To Whistle Dixie by Taj Mahal. Point number one: I have been listening to this song for twenty years, and doing a quick google revealed to me that it isn’t in fact called ‘Ain’t Got To Whistle‘ – the name I have been referring to it by for literally 83.3333% of my life – which is a massive embarrassment. Point number two: it is gorgeous.

I was primarily brought up on blues music. My Dad plays the blues better than anyone I have ever met, and so the dulcet tones of old America used to ring throughout my childhood home every single day – and it was magnificent. My father is one of those guys that can just play music. Hand him an instrument and he will ace it: double-bass, jazz piano, trombone, erhu – you name it. He fucking rules. He’s in his mid-sixties and is still taking music lessons every week to ‘make sure he keeps his eye in’, and regularly plays with his bands ‘Lady & The Gents’, ‘The Coffin Dodgers’ and ‘Trains’. Thus it was only natural that myself and my siblings all learnt music from a very young age, all going on to forge careers in the industry. The one thing we can all agree on it that blues was the instigator – and it was all thanks to Dad.

I’m sure I’ll cover a fair bit of the music he introduced us to in the coming months, but the song that instantly springs to mind is this one. Perhaps it’s because it’s a long piece with no vocals, and therefore provides some kind of backing track to the vast majority of my earliest memories. Maybe it’s just because it is rad. Either way – here it is.

If you haven’t listened to Taj Mahal yet – DO IT NOW. Henry Saint Clair Fredericks (his real name) is a musical mastermind and a bloody hero to boot. Have a dig through his discography and you’ll find he has played with literally everyone under the sun (odds are you have heard him before on one song or another) and quite rightly so. Check out The Best Of Taj Mahal for an idea of his style.

I hope you enjoy the mellow tune from my youth ‘Ain’t Gwine To Whistle Dixie’.

You’re welcome.

Big love,

Paddy XX

Podshambles 26: Wood Ewe, Would Ye?

#coolmoves
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Podshambles 26: Wood Ewe, Would Ye?
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“Those criminals put two of our men in Podybags captain – those poor Castards didn’t know what hit ’em.”

The Shamburglars are back and they’ve brought goat farming, emu highways, hit new songs and the plot synopsis to the dreadful movie Heathers with them! Oh – and they have also found the ancient Chinese city of Tseng Su because they are rad.

So restitch your moccasins, restock the sultanas and win that tombola – Podshambles has arrived.

Shambletracks: TV On The Radio are always on my TV and my Radio.

So I forgot that Laurie is technically on holiday this weekend and I was meant to do all the Shambletracks. Erm. Woops. But I’m here now so it’s totally fine, and boy oh boy woah check it out wham bam thank you ma’am have I got a treat for you sonny Jimbo. It’s here, it’s now – it’s TV On The Radio.

Ever since I emerged from my bio-egg as a tumbling cub (/happy-go-lucky scamp) I have been filled with a yearning – an insatiable thirst for something to wow me. I frolicked for years, heading from port to port (not sailing, just tumbling) trying to find a seemingly unobtainable high. It never came.

UNTIL ONE DAY.

I was stood outside The Star (a sleepy pub just off Cowley Road in Oxford), having one final pint with my brother Walter before I boarded the bus to move to London. I was scared as I had lived in Oxford my entire life and the prospect of moving to the big smoke was in equal measure tantalising and petrifying. You know when you’re sort of unsure about whatever you are about to do, and as a result you end up making your current task last as long as possible to try and procrastinate your way to not having to face the inevitable? I was doing that. I’d been nursing the Guinness for a good 45 minutes when my brother approached.

“I have something for you, you know, to listen to on the bus.” He grinned and handed me a mix CD, and suddenly everything was fine. You see Walter always accents big moments in my life by making me mix CDs. He gave me one every Christmas as I grew up, every exam period, every birthday, every failed relationship and every major accomplishment. The mixes were always there, helping me on my way, and they were always fucking sensational.

I remember this one so, so clearly. I listened to it all the way to my new flat and I fell in love with every single band on there. It had some storming tracks on it (Sin (Live) by Nine Inch Nails, It Fit When I Was A Kid by Liars, Televators by The Mars Volta, Last Nite Of The Proms by Youthmovies – and many more gamechangers) but one in particular stood out for me: Love Dog by TV On The Radio. It genuinely made me smile, and suddenly everything was going to be okay. Sometimes songs resonate in that very special way – this was one of those times.

Love Dog is a restrained, heartfelt and honest song, with perfect harmonies and haunting strings pulling it all together. It draws inspiration from Persian poet Rūmī’s ‘Love Dogs‘ (the final lines of which read “There are love dogs, no one knows the names of. Give your life to be one of them.”) and manages to become a topic for debate in its true meaning – the main question being is it about falling in love with partner, or is it about finding God. Give it a listen and draw your own conclusions – I truly love this song.

I know this has been a bit of a serious one, but hey I spend so much time dicking about it’s actually quite nice to show a different side of things sometimes. I hope you’ve enjoyed it. Without further ado, I present TV On The Radio‘s ‘Love Dog‘ from the album ‘Dear Science‘.

https://www.youtube.com/watch?v=LfUv6r3iVOw

That’s it from me today – I think the Hamburglar/Corporal #coolmoves/Magic Magic Johnson/CrumpetKing1000 (Laurie) will be back tomorrow!

Big love,

Paddy XX

Shambletracks: The Staunton Lick rejuvenates your faith in happiness.

hello it is paddy i am 24 and one month old and i like songs.

That’s how I would start if I had my way – but I don’t. So I’ll begin like this:

Hello! It’s me again (me being paddy who is 24 and one month old and likes songs). Perfect.

I hope you are all well – apologies for the delay on this instalment of Shambletracks – last night I ended up going out to buy chicken and then sort of…didn’t make it home? It’s just one of those things isn’t it. You guys know. We ALL know. I ended up discussing the best party build for Dragon Age Inquisition (#coolmovesdragonwhatsup) and then watching the film Heathers – a film that I was promised was good, and ended up sort of destroying my faith in cinema. It was a long night, but don’t worry friends – I made it out alive.

Today I have chosen The Staunton Lick by Lemon Jelly. I was going to go with something horrendously depressing, but decided to try and cheer up and revisit my favourite British TV show of all time. That show is Spaced, and this song is the music in the final scene. Spaced basically changed everything for me. It got me interested in comedy, which is now my job, and gave me a whole new slant on how to construct humour. Spaced was everything I had ever wanted, and I still cry every single time this gorgeous song bleeds in the background of that fateful finale. If you haven’t seen it, go and watch all of Spaced right this minute. You can burn through it in a day, and you will never regret it – I promise.

The song itself is simplicity at it’s finest. Built using the most basic of chords and melodies, gradually building and stripping into a tune that will a. get stuck in your head, b. force a grin onto that surly face of yours, and c. make you admit that you’re scared of mice and spiders, but oh-so-much greater is your fear that one day the two species will cross-breed to form an all-powerful race of mice-spiders who will immobilise human beings in giant webs in order to steal cheese.

Laurie, Zac and I sometimes put this on in the flat when we need to remember everything is going to be totally fine. You should too.

https://www.youtube.com/watch?v=rBLWDF2nfP8

That’s it from me – have a drink. Go on. I fucking dare you. I’m going to have a drink. Drinks drinks drinks.

Big love,

Paddy XX